Just started reading ‘Mutant Massacre’ for the first time,
as part of the larger goal of consuming the entirety of Claremont’s X-Men run
and wowwie wow wow are we in the 80’s with this one, folks. Having completed
the Uncanny X-Men Omnibus volume 2, there is a huge gap between where that left
off and where Massacre begins. Fifty-seven issues to be precise. From what I
can gather a whole bunch of good silly? Good and silly?) stuff went down including,
but not limited to: Rogue joining the team (Ah’m so glad), Kitty Pride getting Lockheed
and her Shadowcat costume (guessing the 4 part series with Wolvie in Japan
happened), mohawk Storm (Fuck. Yes.) and, sadly, X-Factor happened. Hoo-boy,
X-Factor, you sure are a comic with a premise that probably sounded great
initially, but you have got some pantsuit-sized problems. Not to sound too much
like a porcelain-faced E! personality, but Cyclops, Honey. What. Are. You.
Wearing?
Look at poor Warren Worthington wearing that backpack like
he’s a motherfucking early 90’s G.I. Joe action figure. That is one silly
super-soaker wearing solution to hiding his wings. Jean Grey went from one of
the best designing costumes ever:
to rocking a roomy full body blue skull cap with dark shades
and her red hair sticking out underneath. Solid job turning the original X-Men
into the Unabomber Squad everybody. Okay, to be fair these atrocities to
fashion were only worn part of the time, while the team would don perfectly
passable X-laden superhero costumes when they were posing as evil mutants. That’s
right, they put on their costumes to look like bad guys and dressed up as Delta
Burke to pass as “mutant-hunting” good guys. See, there are some very
troublesome ideas with this book.
X-Factor
apparently started with the very admirable goal of reuniting the original
X-Men, who at that point had mostly been doing a great job not being the cool new
X-Men and forming other super lame teams with USFL-sounding names. Bob Layton
and Jackson Guice were originally going to have it be the original four male
X-Men and Dazzler because, y’know, Dazzler. This is all from an awesome post
over at Brian Cronin’s Comic Book Urban Legends Revealed and it is fascinating.
Anyway, problem number one emerges from its psychic cocoon nestled in Kurt
Busiek’s head (per Wikipedia) in the form of bringing Jean Grey back. Which is
fine, its superhero comics and popular characters don’t stay dead. Except they
kinda did back then and the character died by sacrificing herself for fear of
losing control and wiping out whole scores of humanoid-asparagus populated
planets. That shit was emotional, yo. But that noble act of sacrificing
herself, in addition to all the other acts she committed since emerging from
the depths of Jamaica Bay in issue #101 were now no longer Jean Grey at all. It
was the Phoenix Force just straight up cosplaying Jean Grey for 36 issues,
while the real Jean Grey was placed inside some feel good pod at the bottom of
the bay. That Jean Grey had also died heroically scarifying herself so her
teammates could live. But sure, let’s lessen all of that emotional impact and
sacrifice because fuck Thunderbird, amirite? Anyway, this is all pretty well
chronicled information (comic book fans griping on the internet? Shocking!) and
needless to say, all five originals were back together being a group of mutant heroes
who fought bad guys once more. Wrong! Apparently now they’re going to dress up
as “mutant-hunters” for their day job and then dress up as “evil mutants” named
the…I can’t even…named the X-Terminators. Let’s strive for Xavier’s dream of
peaceful co-existence between mutants and humans by hiding under the cover of
humans who hunt down mutants and then secretly rehabilitate them to better pass
as human. If Charley wasn’t nearly dead or in space or both, I’m sure he’d be
super pumped at your interpretation of his life’s work, X-Factor. Cats and dogs
living together, y’all.
Despite
the fact that I find those premises very off-putting I fully admit to having
not read these early X-Factor issues and am looking forward to putting my foot
in the water as I progress through my Clarmont-ian pilgrimage. But my initial
reaction has not been positive, which is a shame because I generally adore both
the Simonsons work. Really though, I just can’t get over the aesthetics. All of
them are wearing my grandfather’s sunglasses that he wears while driving.
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